It peaked at number 113 on the US Billboard 200 chart. Lamar's debut studio album Section.80, was released on July 2, 2011, and issued on independent record label Top Dawg Entertainment (TDE). It was Lamar's first full-length project to be released under his birth name and fared well enough to enter the United States Billboard Top R&B/Hip-Hop Albums chart, where it peaked at number 72. He gained major attention after the release of his fourth mixtape Overly Dedicated, which was released in 2010. (Hub City Threat: Minor of the Year) (2004), Training Day (2005), and C4 (2009). Lamar initially performed under the stage name K.Dot, releasing three mixtapes under that moniker: Y.H.N.I.C. Album DescriptionAmerican rapper Kendrick Lamar has released five studio albums, one compilation album, one extended play (EP), five mixtapes, 65 singles (including 44 as a featured artist), three promotional singles, and 55 music videos. See More Your browser does not support the audio element. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith - and the conditions leading to it - that occurred long before Kung Fu Kenny was known as K. His storytelling hits an astonishing new high on "Duckworth," the album's finale. Take "FEAR.," in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms.
It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds - such as Mike WiLL's lean and piano-laced trap beat for the strong-arming "HUMBLE.," Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. on the surface seems like a comparatively simple rap album that demands less from the listener. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D.
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He's too occupied tracing the spectrum of his mental states, from "boxin' demons" to "flex on swole," questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim "Ain't none of y'all fuckin' with the flow." Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes - or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. To Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists.
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Purchase and download this album in a wide variety of formats depending on your needs.
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